Thursday, 22 February 2007

A break from poetry

Here's a thousand words dreamt on the train and then written in Starbucks:


Betrayal

He had seemed like a god to us when we had started work there, or so we had joked when we had come to know the man better. A brilliant mind and a supreme knowledge of human strengths and frailties, wrapped up in someone who seemed only to speak when he had something important to say.

That was twenty years before, and now he couldn’t stop talking. I had heard from one of our group that he has dangerously ill, confined to a side ward in the city’s hospital. Naturally I went to him. I hadn’t seen him for fifteen years, not since he had left for Britain ahead of the bloody tidal wave that had washed over our country.

A silent nurse ushered me through to his room, which seemed full of sound. His voice, rich and strong as it had ever been, was telling a story. There, motionless except for the movement of his lips, the gentle rise and fall of his chest and – almost imperceptibly – the feverish fluttering of his eyelids and lips, were the ruins of my beloved friend. I was shocked by his lips. They were dry, cracked and seeping blood that trickled into his constantly moving mouth. I turned to look at the nurse, who now broke her silence. “I know, but he begged us to leave them be.”

She left me to sit with him. And as I listened to the almost impossibly fast speech emanating from my friend, I realised that he was telling his own life. The nurse explained afterwards that it had begun as his other faculties had started to fail him. The doctors had been baffled by his sudden deterioration, but tissue samples had shown that he was dying. In the land to which he’d fled for safety, my friend had contracted a further variant of the variant of the disease that they’d fed to their own livestock. And now his brain was rapidly erasing itself. First his motor functions had gone – all but those that sustained life and allowed him to talk. And talk is all he had done for a fortnight. A full voice when awake, a quiet whisper even when he briefly slept.

They’d moved him to this side room to give his fellow patients respite from his endlessly detailed autobiography. Now the staff were simply waiting for the disease to suffocate him. But it would not, it seemed, until he had finished. And that was why I came, day after day, to sit by his bed and listen to his words. Because at some point I knew that the story would turn to us. Words that were better left unsaid would undo the lives that we’d built. I couldn’t let that happen.

The facts are known: there is no need to repeat them here. Fifteen years before, in the crackle of radios, on the corners of streets and in houses next to our own, a hatred had grown and erupted into a killing time. I and my friends found ourselves, unwillingly, on the side of the killers, marked out by our blood. He, alone in our group, was on the side of the victims. The friends and family whose lives he was now re-telling alongside his own in that quiet room had been swept into unmarked graves. Their identities had been erased by a nation’s single act of forgetfulness: we had forgotten for a terrible moment that we were brothers and sisters. We, this small group of his friends, had realised the threat, and had hidden him in our houses, moving him whenever the bloody wave threatened to catch up with him.

He had spoken to us decisively. This was a forest fire, he said, that would not end until it had spent all the human fuel it could find. We would have to fight fire with something even more powerful. Just as you create breaks by razing belts of trees around a fire, he told us, so we should act speedily and brutally to remove those who were stoking this violence. So we who were numbered among the killers now plotted to kill a number of them. One by one, through car bombs, side-street executions and domestic shootings, we severed the heads of this insanity. Slowly the flames subsided. We rebuilt our lives and hid any signs of our complicity in these necessary killings. And we smuggled our friend to safety and exile in Britain.

Now, more than a decade later, he was nearing the point at which he would betray us. If he did so in his whispered sleep, or alone and unnoticed, we might be safe. If, however, a nurse, a doctor or an orderly overheard our names and our actions, we would become known. This was no police state and the police were far from all-seeing. But the press was hungry and paid well, far better than the hospital wages or doctors’ salaries. Truth and reconciliation had their limits and on those borders waited the angry families of those we’d killed. They would have their revenge and, worst of all, might re-ignite the still warm remains of conflict.

“Help me.” For a moment I missed the message. “Help me,” he said again, hardly pausing from his story. His eyes momentarily caught mine and told me all I needed to know. “Help me,” he said a third and final time. I stayed until the nurse came to see me and then I went home to plan.


The next morning his story had reached the outskirts of our conspiracy and I knew that I had to act quickly. Alone with him, I leant over his face and kissed his swollen, sore and bleeding lips. In my attempts to soothe their pain with my wet mouth, his blood mingled with my saliva. My lips lingered at his and then I moved to rest my head on his forehead. Slipping my hand under his frail neck, I paused for a moment. His beautiful, midnight-black skin was soft against mine. His words were now no more than a background murmur in his sleep. I loved him now as much as I had loved the tall, strong man who had led us fifteen years before. And with a sharp movement with my hand, I snapped his neck. His memories were at once silenced. “Forgive me,” one of us said, then all was quiet.

Thursday, 15 February 2007

Box Girder Bridge



The sudden, silent movement of trees
silhouetted on a silver nitrate sky:

celluloid flashes through an iron frame.

Tuesday, 13 February 2007

Grown Up Love



For Pippa

You’re the secret smile
I wear to work, when we
have lain and laughed in
sleep-warmed bedclothes.

You’re the line that pulls
me home, however hard
I work or walk, that reels
me in to rest beside you.

You’re the walls that
hold me up, the roof that
keeps me safe, the home
that shelters all my dreams.

You’re in here – my heart
– an anchor in my self
made storms, my missing

link, my grown-up love.

My Tinker-Tailor Life



If I could be a soldier
I’d command my selves
to wear their battledress
and camouflage my doubts.

If I could be a diplomat
I’d tell my heart to hold
its tongue and smile while
I embargoed my emotions.

If I could be a down-and-out
I’d sit right here and laugh
and tell you, if you’ll listen,
how I’ve run away from me.

Instead I’ll play myself
and live at home with all
my different sides and

love my tinker-tailor life.

Thursday, 8 February 2007

White



This is for Lulu, who won't see much snow where she is...

The sludge-grey dawn
is cleanly covered over.
Its brightness blizzards out
my senses, starved of colour.

This morning makes a child
of me, hoping for a white-out,
snowed-in, stay-home day.
Instead I walk to work.

Monochrome commuters,
muffled in their muted greys,
march past crawling cars,
caught in wheel spin skid rows.

Trainbound, I look out
through smeary windows,
like bleary eyes that
slowly stir from sleep.

Tuesday, 6 February 2007

Being You


Let me wear your hands and hair,
ease myself into your legs and
slip your arms and shoulders on,
button up your chest and pull your face.

Let me use your eyes to check
that everything's in place, flex
your muscles, flick your tongue
across your teeth and speak.

For then - and only then -
can I begin to understand
what being you is really like.

Metropolitan Lines




Mondrian,
so my teacher told me,
started painting trees
and then,
when his eye
came to lie
on the spaces
between the branches,
he painted them
instead.

So look beyond
the lines you draw
from home to work.
Look away
from the black-ruled
broadsheet in your lap.

And look
into the speeding houses,
at the flying bridges,
along the running roads,
between the branch lines
flashing past your window.

Picture something else.

Rush Hour


You choose:

you can march to your desk
with your chin on your chest
and your eyes on the street
while your arms swing in time
to the metronome beat
of a million feet.

Or stop,

look up at the ragged sky-play
of the grey-cloud children
chasing one another, all unschooled.
Turn truant, run for places where
the rain refreshes, where the grass is
greened and landscapes watercoloured.

Go home.

1973, Aged 10


One November night
and we had lost our selves,
thick black blanketed
in foggy darkness.

No sound, no sight, no sense
of being beech-hedged into
fifty acres. Just ourselves,
three boy friended closeness.

Silence



Our silence is leaden.
Now I’ve dug myself
a grave mistake
and wish the hole
would eat me up,
would swallow words,
would lick the wound
I’ve opened up
in conversation.

Birches


This artist’s easiest tree,
a white-lead lightning streak
with feathered dry-brush branches,
leaps from galleried frames
and stands in crowded rows
at Bankside.

This pock-marked white
suburban kid hangs round
on wasteland, lining railways,
lurks self-consciously in
gardens, spitting surreptitious
sap on tidy driveways.

This refugee from wintry forests
stood, a powerless watcher
flanked by sombre-coated firs,
and saw four thousand men
cut down and planted.

For Franca



The piccie is from her website, francatorrano.com. Go buy.


Be my sometime friend
and frequent critic.
Laugh with me but
scold me when I moan.
Dine with me and gently sway
to music played by women
young enough to be our kids.
Grow old in steady friendship;
be wild whenever we meet.

Chris



Chris, a measured man,
weighs, chews and chooses
words for poised effect.

Picks his tools for turning
arguments with craftsmen's eyes.
Shapes his sentences
with obvious satisfaction.

A once unlettered engineer's apprentice
now works language on his lathe,
fashioning fine, considered sentiments
that leave mine in the shade.

child's play




All potential,
tiny fists, full
to bursting, clench
against the April
frost, preparing
their magician’s
sleight of hand.
Then wind-waved
wands explode into
a riot of variety.

Every one a different
green, their numbers
overwhelm. A million
leaves can shift a
landscape’s shape,
throw up walls and
cast down curtains
to create a cool
cathedral walk,
a timeless place.

Stupid, Really



It’s the eyes,
the empty eyes
that hit you first
before you see
the fist.

Before your
face becomes
a bloody mess.

Then the words.
Words you’ve used,
but flying at you
faster than your
frightened eyes
and ears can catch.
Words spat out,
wet with spittle,
dripping hate.

Before your
nose explodes
in red and white.

And finally
the face: you
see it in the
awful slowness
of the moment.
Something strikes
you, something
stops you running.
Stupid, really:
“Would we like
each other if we had
a chance to talk?”

And then your
shirt is wet
with blood and snot.

Maybe

Jesus sits across from me.
His workman’s hands are
resting, huge and callused,
in his open lap.

The Tyger’s eyes explore me,
know I’m writing this
despite my febrile glances
round the carriage.

And while his heavy,
bearded face is searching
someone else,
he leaves me nailed

to possibility: a chance,
just maybe I’ve been looking
on the Human face of God
at ten past six in Northwood.

Or maybe not.

Hanging On

Mark me.
Tell our story on
my skin, write it out in
henna on my naked wrist.

Let the flourishes and
flowers sprout, spread
and speak to crowded
undergroundlings.

Let them see there’s more
to me than sweat, smell
and warm-blood closeness,
more than meets their
surreptitious stares.

Let my arm hold court
among the furtive watchers.
Let their eyes explore the
curls and paisley tracery.

Let them question every
mark and colour in the
spaces with their own
imagined stories.

All about my illustrated body,
clinging to this handhold,

hanging on to life.

Angry Man


Don't stand up
to the angry man.
Don't tell him
what he doesn't
want to hear.

Don't stare:
he doesn't care.
He has the upper hand
and uses it to
smash his point
across your face.

Batter My Heart

If, instead of hiding
in the whispering crowd,
I could walk across
and say I loved you;

if, instead of smiling
at the hateful jokes,
I could have the guts
to stand beside you;

if, instead of hiding
all my angry love,
I could turn on
your tormentors:

would you stay with me?

Monday, 5 February 2007

waiting

The phone rings: a routine call.
Yesterday's was not important either.
Tomorrow's will be no different.

But some days are not the same.
Sometimes she calls to say she'll kill herself.
Sometimes a neighbour rings to say she's gone.

One day, thirteen years ago,
someone called to tell her parents
she'd been kidnapped, raped and dumped.

Today, torn open by the gang with
diplomatic impunity, she scratches at her skin
and washes clothes incessantly.

And every day her mother, waiting by the phone
can only hope that time will mend
miraculously or keep the final call

from coming.